B24 perspective notes: 2025-04-06 to 2025-04-08 (2 posts)#
These notes read the batch for how Maynard thinks, not for the concepts he names. I read both posts in full. For the o1-pro report embedded in the first post, I read the Executive Summary and main body and skimmed Annexes A and B, checking for any passages in his own voice. There were none. Quotes are exact, including his typos (“growing number of leaders”, “it’s length”) and curly punctuation. Markdown italics are dropped.
Evidence rules applied
- 2025-04-06 responsible-innovation-and-ai-acceleration. About 1,400 of the roughly 20,500 words are his: the title, the subtitle and the framing essay, which runs from “A new speculative scenario…” to the PDF download link. The report “Responsible Innovation and Responsible AI in an Era of Accelerated AI Development” was written by OpenAI’s o1-pro, and he says he shaped and edited it. It covers the executive summary, main body, sources and Annexes A and B, and it is not evidence of his views. That includes the “steering wheel to a rocket” line, the IAEA and CERN proposals, tripwires, moratoria and the Asilomar comparison. What does count is what he chose to do with the report: how he framed it, which parts he pointed readers to, what he held back (Annex C), and his own comments in parentheses. The Perplexity “Top takeaways” link, the “ChatGPT summary” link and the Midjourney image are not his prose, but his decision to offer them is a practice worth noting.
- 2025-04-08 openai-and-studio-ghibli-style. This is a Modem Futura episode note. About 280 words are his framing, plus two image captions. The “Entry points” are o1-Pro’s (“Lightly edited”), so they are not evidence.
- Context from outside the batch, used sparingly and labelled.
- 2018-11-15 even-bad-sci-fi-movies-can-teach-us-something-about-emerging-technologies-efdc08808dc: his earlier position on exponential extrapolation.
- 2018-10-18 the-honest-broker-meets-dan-browns-inferno-ed637700b633 and 2018-08-26 in-the-beginning-from-chapter-one-of-films-from-the-future-85898126fbe4: these establish that Inferno is FFTF chapter 11.
- 2025-02-04 openai-deep-research-ai-scholarship: his earlier account of working with o1-pro.
Context. Early April 2025. AI 2027 (Kokotajlo et al.) has just come out. He is “heading into a workshop on AI and responsible innovation”. GPT-4o’s image generator has set off the “Studio Ghibli style” controversy.
1. How he thinks here#
He opens with his own honest first reaction, then steps back from it on purpose#
The responsible-innovation post (2025-04-06) is a record of a thought process in sequence. It is not a finished position.
- What was on his mind. “The scenario was published just as I was heading into a workshop on AI and responsible innovation this past week, and so the question of how we ensure artificial intelligence is developed and managed appropriately was on my mind.” The question reaches him through coincidence and timing, not through a research agenda.
- The gut reaction, stated plainly. “my first reaction on reading AI 2027 was to worry that, even if the projections represent an edge case, we might be facing a near term future where current efforts to develop artificial intelligence responsibly seem futile.”
- A hope, then both sides of the reception. “I hope they are not — and the scenario has already attracted considerable pushback for being too alarmist. Yet it’s also been cautiously welcomed by some big names in cutting edge AI as a salutary warning”.
- A deliberate cooling-off. “The first step I suspect is to take a deep breath and move back from speculation to firmer ground. AI 2027 is speculation — no more.”
- Taking it seriously anyway. “And yet it does force the question of how we might think about responsible innovation and AI, just on the off chance that there’s a sliver of truth here.”
This is not the choice between alarm and dismissal that most responses to AI 2027 made. He shows the reader that he felt worried, then works out loud to a calibrated position: speculative, yes, but worth thinking through in case it is partly right. The emotional response is kept and named, not hidden, and then it is disciplined.
He lays out the assumptions before arguing about the conclusion#
He does not argue with the scenario’s ending. He lists its four premises instead: coding-capable internal models, self-improving AI that turns developers into “AI managers”, hardware and energy keeping pace, and game-theoretic race behaviour (“an AI arms race is inevitable, no matter how bad an idea anyone thinks it is”). Then he rules on them in two sentences: “Each one of these has its flaws. Yet they are not unreasonable as a starting point for imagining edge case scenarios.” He calls the assumptions “all of which can be contested, but nevertheless are useful for exploring potential (if not necessarily likely) near term AI futures.”
So a scenario, for him, is a tool for exploring what is possible, not a prediction to be believed or refuted. He keeps “potential” and “likely” apart in so many words. He also pays attention to form. It is “(or, to be more accurate, scenarios, as this is something of a “choose your own ending” story)”. This matters because he reads the document as a branching exploration rather than a single forecast.
He moves the problem from institutions to human cognition#
The post’s key move comes in two steps. First comes the expected institutional point: RI processes “can take years”, while “a lag of even a month in the development cycle might mean the difference between abject failure and world domination.” Then he turns: “What worries me just as much though is that nothing about how we think, how we plan for the future, or how we develop approaches to ensuring better futures, is geared toward exponential advances that happen over months rather than years.”
This recasts a governance-speed problem as a problem of mindset and perception. The consequence he draws concerns seeing, not regulating: “we would most likely fail to recognize it — or would actively deny it — until it was too late. And all because we are really bad at wrapping our heads around rapid exponential growth.”
He uses a flawed film to carry a physicist’s thought experiment#
He reaches for Inferno, the subject of FFTF chapter 11 (see 2018-10-18 the-honest-broker-meets-dan-browns-inferno-ed637700b633). He says frankly that it is “a deeply flawed but nevertheless compelling illustration”. Through the film he brings in Al Bartlett’s 1978 beaker puzzle. The answer, “11:59 PM. One minute to midnight”, is a small shock of the kind a physicist would recognise, and it lands because it is counter-intuitive.
He also flags the model’s limits at once: “The illustration would never work in real life as resource constraints would slow or halt the exponential growth. But it is a good illustration of how hard it is for us as individuals or as a society to plan for exponential growth”. The analogy works by structure, as a picture of perception and planning lag. It is not a claim that AI will actually grow exponentially. He uses a known-imperfect model for what it shows, and says so.
He then turns the thought experiment into two “what if” questions: - “what happens when AI development is on an exponential growth path and we simply cannot accept or even see this until it’s metaphorically one minute to midnight?” - “what happens if we’re still planning for the world as it was at 11:00 PM when we get to the AI equivalent of 11:59 PM?”
He anticipates the reader’s dismissal and folds it into the argument#
“I suspect that, to many, this will feel like an intellectual exercise and no more. But this is precisely the point of the illustration — it always will feel like an intellectual exercise until it’s too late.” The expected reaction becomes evidence for his point. This is a reflexive move: the reader is asked to notice their own thinking as part of the phenomenon.
Building to find out: a deep dive with a reasoning model#
His response to his own question is not to write a position paper. It is to run an experiment in a working method: “a mode of working that I’ve been finding increasingly useful recently — engaging with OpenAI’s o1-pro model to develop nuanced and widely informed insights into complex questions.” He describes his part as active: “part of my process is actively engaging with o1-pro in the research and writing process, and evaluating and editing the final report where necessary”. He publishes the result in full, with caveats.
For context (outside the batch): two months earlier he had described o1-pro as “much faster than what I could have achieved my own (by a matter of months)”, while sensing “something lacking in the depth of simulated thinking and scholarship” (2025-02-04 openai-deep-research-ai-scholarship). So B24 continues that experiment in public. There is also a reflexive irony, which is my reading rather than something he states: he uses an accelerating AI tool to think about the problem of AI acceleration, and so produces 40 pages in a timeframe that proves the point about speed.
Play as a way of engaging, not just decoration (2025-04-08)#
In the Studio Ghibli post he does the thing under discussion. The header image caption reads: “Generated, appropriately, using OpenAI ChatGPT 4o — not using Studio Ghibli style!” He writes: “I couldn’t resist abandoning my usual use of Midjourney version 3 to use ChatGPT 4o to generate the image for this post!” He had the tool choose its own style from “a transcript of the podcast and a photo of Sean and myself”. Then he notices what came back: “I have a sneaky idea that ChatGPT didn’t appreciate the irony of the caption, given the image rendering 😊”. The video’s thumbnail is openly “generated using Studio Ghibli style”.
He explores the controversy partly by playing with the technology at its centre, in public, and he enjoys the irony. Here play is a way of knowing: you learn what the tool does with “style” by asking it to pick one.
2. What matters to him#
- Better futures, and our capacity to reach them. His worry is about “how we develop approaches to ensuring better futures”. Governance is a means. What he wants to protect is the ability to shape the future at all.
- Seeing clearly, and not denying. The failure he fears most is perceptual and psychological: failing “to recognize” or “actively deny” rapid change. He cares about people being able to see what is happening in time.
- Human skilled work and artisanship. In the Ghibli post, the issues sharpen when AI can mimic “styles that are synonymous with human artisanship which represents hundreds of hours of skilled work”. He values the human labour and craft behind a style. This echoes his early-2025 “artisanal intellectual” theme, though that theme is outside this batch.
- Nuance, and refusing the black-and-white. “Underneath the usual banter, this was a nuanced conversation around an issue that is far from black and white.” Even the title is a question, “Theft or homage?”, not a verdict. He names “the challenges as well as the opportunities” of AI images, and he questions the very category of “art”: “(including whether “art” is an appropriate description here)”.
- Under-represented perspectives. He points readers to Annex B as “perspectives that are important but are under-represented in the initial report”. He also asked for Annex C so that the analysis “can be contextualized” in light of the authors’ “ideologies and perspectives”.
- The reader’s time. “It makes for a rather long article, so apologies for that. But at the same time, I think the content is relevant enough to risk some frustration over it’s length!” He curates for the reader. The first part holds “not too many surprises”. Annex A is “more useful”. He tells readers where the value lies.
- Delight. The Ghibli irony and the “couldn’t resist” are small but real pleasures. He is visibly having fun with the technology even while taking its ethics seriously.
- Frustration is muted. The nearest thing is the claim that “nothing about how we think” is geared to what may be coming. It is a frustration with collective human habits, his own field’s included. It is not aimed at any person or company.
3. Risk as a way of thinking#
None of the named vocabulary appears in this batch: no risk innovation, risk landscape, threat to value, orphan risks, or “navigating”. His own prose says “developed and managed appropriately” and “govern AI”. Even so, the underlying stance is very close to his September 2026 self-account.
- A novel technology needs a new mindset, not just faster processes. This is the post’s central claim in his own words. It is not only that RI processes are too slow. It is that “nothing about how we think, how we plan for the future, or how we develop approaches to ensuring better futures, is geared toward” change over months. His problem is the mental model, not the procedure. The mismatch he names is between “human timescales” and those “associated with intelligent machines”. In other words, the technology does not fit the kind of risk our institutions and habits of thought were built for. This is the “change our whole mindset” argument, made before he had settled on that phrase.
- Mental models that open up thinking, not operational tools. The Bartlett beaker is offered explicitly as an “illustration”, not a forecast. Its job is to shift perception (“how hard it is for us… to plan for exponential growth”). AI 2027 works the same way. It is an “edge case” and a “starting point for imagining”, valued for “exploring potential (if not necessarily likely) near term AI futures”. Neither is used to calculate a risk. Both are used to widen what people are willing to consider.
- Possibility, not probability: humility about prediction. He refuses to give odds. He says “unlikely as I hope it is”, “speculation — no more”, “the off chance that there’s a sliver of truth”. He still argues that the edge case must be thought through. That is a precautionary way of reasoning without false precision. He does not pretend to know the likelihood, and he does not let the lack of a number end the conversation.
- Quantitative foundations built on, not discarded. A physicist’s caveat governs how he uses the exponential: “resource constraints would slow or halt the exponential growth”. In 2018 he had warned that “exponential extrapolation is deeply unreliable” and that “At some point, all exponential trends stop” (2018-11-15 even-bad-sci-fi-movies-can-teach-us-something-about-emerging-technologies-efdc08808dc). He keeps that caveat in 2025. What changes is its use: the exponential now works as a diagnostic of human blind spots, not as a fallacy to debunk.
- Implicitly, navigating rather than managing. He offers no framework or controls of his own. His recommended “first step” is cognitive and emotional: “take a deep breath and move back from speculation to firmer ground”. It is an orientation for moving through uncertainty, not a management plan. This is a soft reading, and the word “navigate” does not appear.
4. Scholarship and public writing#
- His own field turned into a public question. Responsible innovation is his professional home ground. He writes the post straight out of an RI workshop, and he openly asks whether the field’s efforts “seem futile”. Scholarly self-questioning happens in public, in real time, with his first reaction left in.
- Experimenting in public with a new scholarly method. Publishing the whole o1-pro report is an experiment in what AI-assisted scholarship can produce, offered to readers to judge. He is open about the process and its limits: “the usual caveat that important information in it should be double checked”. He also judges it: “sufficiently inclusive and insightful that I would consider it essential reading”. He evaluates without overclaiming: “there won’t be too many surprises here” for specialists, but “the way the report draws together and synthesizes the current state of understanding is useful.”
- How he treats evidence and expertise. He gives both reactions to AI 2027, the “pushback for being too alarmist” and the cautious welcome from “big names”. He notes that the scenario “reflects at least some of the thinking of growing number of leaders and developers”. Its standing as evidence is that it is “sufficiently grounded in current trends and emerging capabilities to provide serious pause for thought”. It earns attention through grounding, not through authority. On the authors, he wants their perspectives available as context (Annex C). But he keeps that material out of the post body and adds no comment of his own. One reading is restraint: he gives readers the means to weigh the source without making the post about personalities.
- Transdisciplinarity. In 1,400 words he brings together an RI workshop, a futures scenario, game theory (the arms-race assumption), a 1978 physics-education thought experiment, a Dan Brown film, and a reasoning model as research partner. In the Ghibli post the podcast ranges over IP law, ethics, creativity, fan culture and “public ownership”.
- Accessibility and many ways in. He offers readers several routes into the same material: a Perplexity takeaways link at the top, the full report inline, a PDF, a ChatGPT summary link at the end, and a podcast available on three platforms with timestamped entry points. He is experimenting with how readers can meet a long, complex piece, and he lets them choose their depth.
- Conversation as a form of thinking. Modem Futura is co-hosted with Sean Leahy. The post signals its register honestly: “Underneath the usual banter”. Banter and nuance sit together. The informal form carries serious content.
5. His role as he sees it#
- A thinker who shows his working. He places himself as someone who worried, paused, dug in and is now sharing what he found. He does not present himself as an authority handing down a verdict. His hedges (“I hope”, “I suspect” twice, “unlikely as I hope it is”) are those of someone thinking alongside readers.
- Curator and guide. He tells readers what is worth their time and why: Annex A for the US–China race, Annex B for under-represented voices. He gives his own short judgement where it matters most: RI would fare “(not that well is the short answer)”.
- Relationship with the AI 2027 authors, critics and industry. He is even-handed and non-polarising. He takes the scenario seriously without joining it, gives the critics their due without dismissing the scenario, and says nothing adversarial about any company or person. The worry is systemic (“how we think”), not accusatory.
- Implicating his own community. The “we” in “how we plan for the future” and “how we develop approaches to ensuring better futures” includes the responsible-innovation people he has just been in a workshop with. He does not stand outside the problem.
- What he refuses to do.
- He will not fear-monger. The stakes are “abject failure and world domination”, yet the next move is “take a deep breath”. He calls it “speculation — no more”.
- He will not dismiss either. He calls ignoring the scenario the very trap the illustration describes.
- He will not moralise about Ghibli-style images. The question stays a question, with both “theft” and “homage” on the table.
- He will not personalise the critique of the AI 2027 authors.
- Changes of mind. There is no announced reversal, but the emphasis has shifted. Against his 2018 scepticism about exponential thinking, he now takes seriously a near-term acceleration scenario he would once have filed under exponential fallacy. He keeps the physical caveat but moves the problem to human perception. His use of reasoning models “increasingly” as research partners is also a visible, self-described change in how he works.
6. What is distinctive#
- He makes the AI-acceleration debate a question about human cognition. Most responses to AI 2027 argued about whether its timelines are plausible or which institutions are needed. His worry “just as much” is that our ways of thinking and planning cannot perceive change on this timescale, and that denial is the default. The question moves from “will it happen?” to “would we even see it?”
- He is willing to ask whether his own field’s tools are futile, calmly and in public. He is a responsible-innovation insider who puts RI’s fitness for purpose on the table without getting defensive and without catastrophising.
- Physics-style thought experiments delivered through popular film, with the flaws named. A “deeply flawed” Hollywood film is a legitimate route to a precise, counter-intuitive insight. The imperfection of the model is part of the lesson. This comes straight from FFTF, and he still reaches for it seven years later.
- Reasoning about possibility without false precision. Taking an edge case seriously “on the off chance”, while refusing to assign likelihood, is neither the probabilistic stance of the AI-safety world nor the dismissal of its critics.
- Enacting the subject. He uses a fast AI reasoning model to research AI acceleration, and ChatGPT 4o’s image generator to illustrate a post about its own style controversy. He tests the technology on itself and shows readers the result. He engages with AI by using it, reflexively and openly, not only by commenting on it.
- Readers get several levels of depth. Perplexity and ChatGPT summaries, the full report and the PDF are offered side by side. This treats the post as an experiment in how people read complex material in an AI age, not just as a text.
7. The posts that best reveal how he thinks#
This batch has only two posts, so fewer than three can be listed.
- 2025-04-06 responsible-innovation-and-ai-acceleration. This is the key post, although only about 7% of it is his own writing. That portion shows the full sequence: coincidence prompts the question, he admits his first reaction, he surfaces the assumptions, he reframes the problem as one of cognition, uses a film-borne thought experiment with its limits flagged, folds in the reader’s likely dismissal, cools off deliberately, experiments with a new method, publishes openly and curates for readers. His substantive views on what to do are not here. They are delegated to the o1-pro report, which he endorses only in general terms.
- 2025-04-08 openai-and-studio-ghibli-style. Minor, but it shows the play clearly: using the contested tool on itself, enjoying the irony, framing the issue as a question (“Theft or homage?”) that is “far from black and white”, and respecting the “hundreds of hours of skilled work” behind a human style.